(1992) Buffy The Vampire Slayer

Kristy Swanson

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::: tikbalang at gmail dot com :::

The Gucci Gang Controversy

The Gucci Gang Controversy

The story starts between two male lovers, and Australian businessman named Brian Gorrell and a Filipino so called "society" guy Delfin "DJ" Montano. DJ Montano told Brian that he needs US$70k or close to 3.8 million pesos for a restaurant they are to build in Manila. Instead, DJ had run away with the money. When Brian was asking where the money was, DJ had no way of showing it. Therefore, it irked Brian to be more aggressive in asking it back.

What DJ did in return was to ask help from his barkada otherwise known as Embassy's Gucci Gang composed of Tim Yap, Celine Lopez, Tina Tinio, Xeng Zulueta, Jenni Epperson, Wendy Puyat, etc (complete list at the blog); and the group's task was to cover up for DJ. Brian then retaliated by exposing what was behind the walls of these people at Embassy, which revolved around cocaine and drug dealings through a blog. The blog belongs to Brian Gorrell.

http://delfindjmontano.blogspot.com/

--

::: tikbalang at gmail dot com :::

VCDQuality Terms Key

VCDQuality Terms Key

Sources

CAM -
A cam is a theater rip usually done with a digital video camera. A mini
tripod is sometimes used, but a lot of the time this wont be possible, so
the camera make shake. Also seating placement isn't always idle, and it
might be filmed from an angle. If cropped properly, this is hard to tell
unless there's text on the screen, but a lot of times these are left with
triangular borders on the top and bottom of the screen. Sound is taken
from the onboard microphone of the camera, and especially in comedies,
laughter can often be heard during the film. Due to these factors picture
and sound quality are usually quite poor, but sometimes we're lucky, and
the theater will be fairly empty and a fairly clear signal will be heard.

TELESYNC (TS) -
A telesync is the same spec as a CAM except it uses an external audio
source (most likely an audio jack in the chair for hard of hearing
people). A direct audio source does not ensure a good quality audio
source, as a lot of background noise can interfere. A lot of the times a
telesync is filmed in an empty cinema or from the projection booth with a
professional camera, giving a better picture quality. Quality ranges
drastically, check the sample before downloading the full release. A high
percentage of Telesyncs are CAMs that have been mislabeled.

TELECINE (TC) -
A telecine machine copies the film digitally from the reels. Sound and
picture should be very good, but due to the equipment involved and cost
telecines are fairly uncommon. Generally the film will be in correct
aspect ratio, although 4:3 telecines have existed. A great example is the
JURASSIC PARK 3 TC done last year. TC should not be confused with TimeCode
, which is a visible counter on screen throughout the film.

SCREENER (SCR) -
A pre VHS tape, sent to rental stores, and various other places for
promotional use. A screener is supplied on a VHS tape, and is usually in a
4:3 (full screen) a/r, although letterboxed screeners are sometimes found.
The main draw back is a "ticker" (a message that scrolls past at the
bottom of the screen, with the copyright and anti-copy telephone number).
Also, if the tape contains any serial numbers, or any other markings that
could lead to the source of the tape, these will have to be blocked,
usually with a black mark over the section. This is sometimes only for a
few seconds, but unfortunately on some copies this will last for the
entire film, and some can be quite big. Depending on the equipment used,
screener quality can range from excellent if done from a MASTER copy, to
very poor if done on an old VHS recorder thru poor capture equipment on a
copied tape. Most screeners are transferred to VCD, but a few attempts at
SVCD have occurred, some looking better than others.

DVD-SCREENER (DVDscr) -
Same premise as a screener, but transferred off a DVD. Usually letterbox ,
but without the extras that a DVD retail would contain. The ticker is not
usually in the black bars, and will disrupt the viewing. If the ripper has
any skill, a DVDscr should be very good. Usually transferred to SVCD or
DivX/XviD.

DVDRip -
A copy of the final released DVD. If possible this is released PRE retail
(for example, Star Wars episode 2) again, should be excellent quality.
DVDrips are released in SVCD and DivX/XviD.

VHSRip -
Transferred off a retail VHS, mainly skating/sports videos and XXX
releases.

TVRip -
TV episode that is either from Network (capped using digital
cable/satellite boxes are preferable) or PRE-AIR from satellite feeds
sending the program around to networks a few days earlier (do not contain
"dogs" but sometimes have flickers etc) Some programs such as WWF Raw Is
War contain extra parts, and the "dark matches" and camera/commentary
tests are included on the rips. PDTV is capped from a digital TV PCI card,
generally giving the best results, and groups tend to release in SVCD for
these. VCD/SVCD/DivX/XviD rips are all supported by the TV scene.

WORKPRINT (WP) -
A workprint is a copy of the film that has not been finished. It can be
missing scenes, music, and quality can range from excellent to very poor.
Some WPs are very different from the final print (Men In Black is missing
all the aliens, and has actors in their places) and others can contain
extra scenes (Jay and Silent Bob) . WPs can be nice additions to the
collection once a good quality final has been obtained.

DivX Re-Enc -
A DivX re-enc is a film that has been taken from its original VCD source,
and re-encoded into a small DivX file. Most commonly found on file
sharers, these are usually labeled something like Film.Name.Group(1of2)
etc. Common groups are SMR and TND. These aren't really worth downloading,
unless you're that unsure about a film u only want a 200mb copy of it.
Generally avoid.

Watermarks -
A lot of films come from Asian Silvers/PDVD (see below) and these are
tagged by the people responsible. Usually with a letter/initials or a
little logo, generally in one of the corners. Most famous are the "Z" "A"
and "Globe" watermarks.

Asian Silvers / PDVD -
These are films put out by eastern bootleggers, and these are usually
bought by some groups to put out as their own. Silvers are very cheap and
easily available in a lot of countries, and its easy to put out a release,
which is why there are so many in the scene at the moment, mainly from
smaller groups who don't last more than a few releases. PDVDs are the same
thing pressed onto a DVD. They have removable subtitles, and the quality
is usually better than the silvers. These are ripped like a normal DVD,
but usually released as VCD.

Formats

VCD -
VCD is an mpeg1 based format, with a constant bitrate of 1150kbit at a
resolution of 352x240 (NTCS). VCDs are generally used for lower quality
transfers (CAM/TS/TC/Screener(VHS)/TVrip(analogue) in order to make
smaller file sizes, and fit as much on a single disc as possible. Both
VCDs and SVCDs are timed in minutes, rather than MB, so when looking at an
mpeg, it may appear larger than the disc capacity, and in reality u can
fit 74min on a CDR74.

SVCD -
SVCD is an mpeg2 based (same as DVD) which allows variable bit-rates of up
to 2500kbits at a resolution of 480x480 (NTSC) which is then decompressed
into a 4:3 aspect ratio when played back. Due to the variable bit-rate,
the length you can fit on a single CDR is not fixed, but generally between
35-60 Mins are the most common. To get a better SVCD encode using variable
bit-rates, it is important to use multiple "passes". this takes a lot
longer, but the results are far clearer.

XVCD/XSVCD -
These are basically VCD/SVCD that don't obey the "rules". They are both
capable of much higher resolutions and bit-rates, but it all depends on
the player to whether the disc can be played. X(S)VCD are total
non-standards, and are usually for home-ripping by people who don't intend
to release them.

DivX / XviD -
DivX is a format designed for multimedia platforms. It uses two codecs,
one low motion, one high motion. most older films were encoded in low
motion only, and they have problems with high motion too. A method known
as SBC (Smart Bit-rate Control) was developed which switches codecs at the
encoding stage, making a much better print. The format is Ana orphic and
the bit-rate/resolution are interchangeable. Due to the higher processing
power required, and the different codecs for playback, its unlikely we'll
see a DVD player capable of play DivX for quite a while, if at all. There
have been players in development which are supposedly capable, but nothing
has ever arisen. The majority of PROPER DivX rips (not Re-Encs) are taken
from DVDs, and generally up to 2hours in good quality is possible per
disc. Various codecs exist, most popular being the original Divx3.11a and
the new XviD codecs.

CVD -
CVD is a combination of VCD and SVCD formats, and is generally supported
by a majority of DVD players. It supports MPEG2 bit-rates of SVCD, but
uses a resolution of 352x480(ntsc) as the horizontal resolution is
generally less important. Currently no groups release in CVD.

DVD-R -
Is the recordable DVD solution that seems to be the most popular (out of
DVD-RAM, DVD-R and DVD+R). it holds 4.7gb of data per side, and double
sided discs are available, so discs can hold nearly 10gb in some
circumstances. SVCD mpeg2 images must be converted before they can be
burnt to DVD-R and played successfully. DVD>DVDR copies are possible, but
sometimes extras/languages have to be removed to stick within the
available 4.7gb.

MiniDVD -
MiniDVD/cDVD is the same format as DVD but on a standard CDR/CDRW. Because
of the high resolution/bit-rates, its only possible to fit about 18-21
mins of footage per disc, and the format is only compatible with a few
players.

Misc Info

Regional Coding -
This was designed to stop people buying American DVDs and watching them
earlier in other countries, or for older films where world distribution is
handled by different companies. A lot of players can either be hacked with
a chip, or via a remote to disable this.

RCE -
RCE (Regional Coding Enhancement) was designed to overcome "Multiregion"
players, but it had a lot of faults and was overcome. Very few titles are
RCE encoded now, and it was very unpopular.

Macrovision -
Macrovision is the copy protection employed on most commercial DVDs. Its a
system that will display lines and darken the images of copies that are
made by sending the VHS signals it can't understand. Certain DVD players
(for example the Dansai 852 from Tescos) have a secret menu where you can
disable the macrovision, or a "video stabaliser" costs about 30UKP from
Maplin (www.maplin.co.uk)

NTSC/PAL -
NTSC and PAL are the two main standards used across the world. NTSC has a
higher frame rate than pal (29fps compared to 25fps) but PAL has an
increased resolution, and gives off a generally sharper picture. Playing
NTSC discs on PAL systems seems a lot easier than vice-versa, which is
good news for the Brits :) An RGB enabled scart lead will play an NTSC
picture in full colour on most modern tv sets, but to record this to a VHS
tape, you will need to convert it to PAL50 (not PAL60 as the majority of
DVD players do.) This is either achieved by an expensive converter box (in
the regions of £200+) an onboard converter (such as the Dansai 852 /
certain Daewoos / Samsung 709 ) or using a World Standards VCR which can
record in any format.

News Sites -
There are generally 2 news sites, and I'm allowed to be biased :) For
Games/Apps/Console :: www.isonews.com is generally regarded as the best,
but for VCD/SVCD/DivX/TV/XXX www.vcdquality.com displays screen grabs and
allows feedback. **NOTICE** neither site offers movie downloads, and
requesting movies/trades etc on the forums of either is NOT permitted.

Release Files

RARset -
The movies are all supplied in RAR form, whether its v2 (rar>.rxx) or v3
(part01.rar > partxx.rar) form.

BIN/CUE -
VCD and SVCD films will extract to give a BIN/CUE. Load the .CUE into
notepad and make sure the first line contains only a filename, and no path
information. Then load the cue into Nero/CDRWin etc and this will burn the
VCD/SVCD correctly. TV rips are released as MPEG. DivX files are just the
plain DivX - .AVI

NFO -
An NFO file is supplied with each movie to promote the group, and give
general iNFOrmation about the release, such as format, source, size, and
any notes that may be of use. They are also used to recruit members and
acquire hardware for the group.

SFV -
Also supplied for each disc is an SFV file. These are mainly used on site
level to check each file has been uploaded correctly, but are also handy
for people downloading to check they have all the files, and the CRC is
correct. A program such as pdSFV or hkSFV is required to use these files.

Usenet Information

Access -
To get onto newsgroups, you will need a news server. Most ISPs supply one,
but this is usually of poor retention (the amount of time the files are on
server for) and poor completition (the amount of files that make it
there). For the best service, a premium news server should be paid for,
and these will often have bandwidth restrictions in place.

Software -
You will need a newsreader to access the files in the binary newsgroups.
There are many different readers, and its usually down to personal opinion
which is best. Xnews / Forte Agent / BNR 1 / BNR 2 are amongst the popular
choices. Outlook has the ability to read newsgroups, but its recommended
to not use that.

Format -
Usenet posts are often the same as those listed on VCDQUALiTY (i.e.,
untouched group releases) but you have to check the filenames and the
description to make sure you get what you think you are getting. Generally
releases should come down in .RAR sets. Posts will usually take more than
one day to be uploaded, and can be spread out as far as a week.

PAR files -
As well as the .rxx files, you will also see files listed as .pxx/.par .
These are PARITY files. Parity files are common in usenet posts, as a lot
of times, there will be at least one or two damaged files on some servers.
A parity file can be used to replace ANY ONE file that is missing from the
rar set. The more PAR files you have, the more files you can replace. You
will need a program called SMARTPAR for this.

Scene Tags

PROPER -
Due to scene rules, whoever releases the first Telesync has won that race
(for example). But if the quality of that release is fairly poor, if
another group has another telesync (or the same source in higher quality)
then the tag PROPER is added to the folder to avoid being duped. PROPER is
the most subjective tag in the scene, and a lot of people will generally
argue whether the PROPER is better than the original release. A lot of
groups release PROPERS just out of desperation due to losing the race. A
reason for the PROPER should always be included in the NFO.

SUBBED -
In the case of a VCD, if a release is subbed, it usually means it has hard
encoded subtitles burnt throughout the movie. These are generally in
malaysian/chinese/thai etc, and sometimes there are two different
languages, which can take up quite a large amount of the screen. SVCD
supports switch able subtitles, so some DVDRips are released with switch
able subs. This will be mentioned in the NFO file if included.

UNSUBBED -
When a film has had a subbed release in the past, an Unsubbed release may
be released

LIMITED -
A limited movie means it has had a limited theater run, generally opening
in less than 250 theaters, generally smaller films (such as art house
films) are released as limited.

INTERNAL -
An internal release is done for several reasons. Classic DVD groups do a
lot of .INTERNAL. releases, as they wont be dupe'd on it. Also lower
quality theater rips are done INTERNAL so not to lower the reputation of
the group, or due to the amount of rips done already. An INTERNAL release
is available as normal on the groups affiliate sites, but they can't be
traded to other sites without request from the site ops. Some INTERNAL
releases still trickle down to IRC/Newsgroups, it usually depends on the
title and the popularity. Earlier in the year people referred to Centropy
going "internal". This meant the group were only releasing the movies to
their members and site ops. This is in a different context to the usual
definition.

STV -
Straight To Video. Was never released in theaters, and therefore a lot of
sites do not allow these.

ASPECT RATIO TAGS -
These are *WS* for widescreen (letterbox) and *FS* for Fullscreen.

RECODE -
A recode is a previously released version, usually filtered through
TMPGenc to remove subtitles, fix color etc. Whilst they can look better,
its not looked upon highly as groups are expected to obtain their own
sources.

REPACK -
If a group releases a bad rip, they will release a Repack which will fix
the problems.

NUKED -
A film can be nuked for various reasons. Individual sites will nuke for
breaking their rules (such as "No Telesyncs") but if the film has
something extremely wrong with it (no soundtrack for 20mins, CD2 is
incorrect film/game etc) then a global nuke will occur, and people trading
it across sites will lose their credits. Nuked films can still reach other
sources such as p2p/usenet, but its a good idea to check why it was nuked
first in case. If a group realise there is something wrong, they can
request a nuke.

NUKE REASONS :: this is a list of common reasons a film can be nuked for
(generally DVDRip)

** BAD A/R ** :: bad aspect ratio, ie people appear too fat/thin
** BAD IVTC ** :: bad inverse telecine. process of converting framerates
was incorrect.
** INTERLACED ** :: black lines on movement as the field order is
incorrect.

DUPE -
Dupe is quite simply, if something exists already, then theres no reason
for it to exist again without proper reason.

Props to pHo from #VCDQUALiTY @ EFNET

--

::: tikbalang at gmail dot com :::

hey.

i'm still alive.